When Those Who Have Crossed Over Cross Into Your Readings

Several days ago I posted on Twitter, asking for ideas for a Tarot related blog. One person responded – and one person was all I needed, because her suggestion was so profound! Theresa Reed (aka @thetarotlady) suggested that I address the issue of talking about people who have crossed over coming up in readings. She noted the same thing that I have seen in some of my readings – that she sometimes received information that was downright “spooky” when she read the cards for a client that was concerned about a loved one that had crossed over.

How does the subject of a deceased loved one come up in a reading? I have had clients state from the get go that they wanted to know about someone who had crossed over. Sometimes they wanted to know how they were doing, sometimes they wanted to know how they died (i.e. under what circumstances), sometimes they wanted to know where a certain piece of paper or other item was. Sometimes they wanted to know if there was a message for them from that person.

Other times I will be in the middle of doing a reading, and I realized that the information coming to me has nothing to do with the question being asked, and that it is coming from a specific entity. I let my client know what is being said, and that I feel it is information coming to them from someone who has crossed over. Once that is out of the way, my client and I can return to “regularly scheduled programming”.

I think the most interesting (read bizarre here!) thing that has ever happened to me when doing this kind of reading was when I had two hysterical sisters on the line (I read over the phone), wanting to know about the death of one sisters boyfriend. Keeping them both calm and bringing over the information that was coming to me was, well, “quite interesting”.

Theresa has agreed to allow me to share one of her favorite experiences about loved ones that have crossed over. “A man came in to get a reading. He was a cop and very skeptical (I always find it odd that cops are skeptical about intuition considering most of them use it EVERY DAY at their jobs!).  We started out doing the general outlook and he asked a few questions.  He began to relax and I sensed he was enjoying the reading and actually getting something out of it.  He decided to ask about his dad and told me that he passed on not too long ago.

Without saying anything more, he handed me the deck and I started laying out some cards.  Suddenly, I felt compelled to ask him “Who is Jerry?”  He went pale and his eyes widened.  “That’s my uncle”.  I looked at him and said “he’s passed on too, isn’t he?”  The client nodded.  I then continued laying out cards and said “Jerry wants you to know that he helped your dad to cross over and your dad is fine.”  This man almost got a little shaky and teary eyed and then he said “there is no way you could have known he passed before my dad”.  He was so astonished by the reading that he became one of my biggest promoters – I had a lot of new business after that reading.”

Theresa: “So did the cards actually predict? Or was I picking up on something else? I like to think that the cards can show a message but sometimes they open the reader up to another source of knowledge and we unwittingly begin to channel information.  This has happened to me on many occasions but this was one of the most striking examples. “

Note: Theresa’s work can be seen at www.thetarotlady.com and http://blog.thetarotlady.com .

Should a reader agree to do this type of reading, or is this the province of a medium? Whether through a medium or through a reader (no matter what system they are reading from), this is channeled information, and should not be a problem. If the reader is unaccustomed to doing a reading like this, or if it makes them uncomfortable in any way, then they need to let their client know that they need to find someone else to do their reading. If the information comes up in the middle of the reading, they can do the same thing. Explain that information is coming from across the veil, but that they do not do this type of work.

For the reader who does feel comfortable dong this type of work, I would remind them to be very aware of their client’s reactions to the information. This is a little easier to do in person, because you can read body language. If the client is frightened, ask them if they would like to stop the reading. Talk to them until they are calmed down before they leave the reading area. Over the phone, listen closely to your client’s voice, and keep asking them if they have any questions. Make sure they understand what you have told them, and are reasonably calm.

This type of reading opportunity presents itself more often than we might think. If as readers we just allow ourselves to open up, absorb the information and pass it on, we will have been able to give our client peace of mind, and perhaps even closure, concerning a very difficult area in their life.

Please feel free to share your own stories under comments!

Blessings,

Bonnie

Published in: on January 27, 2010 at 11:21 pm  Comments (4)  
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Relief Flight To Haiti

Tomorrow I will be back to posting Tarot musings – today I want to talk about an article in our local (Olympia, Washington) paper. Staff writer Christian Hill accompanied fifteen airmen from the 62nd Aerial Port Squadron at Mc Chord AFB as they flew four C-17 cargo jets to Haiti for ongoing relief efforts (delivering equipment, supplies and much needed water).

He references them as the Air Force equivalent of NASCAR drivers – they land, unload the cargo, and board evacuees with the engines still running so the emptied jet can take off as quickly as possible to make room for the next flight. The bottom line – there is not enough room at this small airport for the flood of arriving aircraft (to say nothing of the lack of a tower!).

Many of these servicemen have already served in Iraq and Afghanistan – areas where the local population is divided,  and military presence is not always received well. The opportunity to help with relief to Haiti gives them something back – visibility, respect, and appreciation.

The evacuees were deplaned in Orlando, FL, where they were met by police and customs enforcement officers.  Their thanks to the crew that flew them over was to applaud them – a gift from their heart.

Hill goes on to note that on his civilian flight back to Washington state, as the plane taxied to the runway, the flight attendant followed her safety briefing by noting that there were US service members on board, and recognizing their service to their country. Applause rang out on the plane.

Reading the article that this information came from warmed my heart and soul. It made me very proud of my country, and the men and women that risk their lives to make it what it is.

© January 2010 Bonnie Cehovet

Published in: on January 24, 2010 at 8:04 pm  Leave a Comment  
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Commodores Live!

Thanks to my sister, I had the awesome opportunity this past weekend to attend a Commodores concert. What an event! Okay … breathe, breathe, breathe! Start at the beginning. We went to my sisters house, dropped off my stuff, and then went out to dinner. I got brave, and agreed to a Thai restaurant. Beautiful atmosphere, fantastic food! My sister had a vegetarian platter, while I had cashew chicken with vegetables. This particular restaurant offers different levels of hot (Thai food is known to be spicy!) – I got mine with no spices, and it was so incredibly good! I could only eat half the platter (they serve a lot!), so I took the rest back to my sisters. (Unfortunately, when I forgot it there when I went home!)

Then we were off to the concert. Straight down I-5, no problem. We snagged the right exit, no problem. Yo – there is the casino, on the right hand sideof the freeway! We note that in time to take the right hand turn off the exit. (The Map Quest directions said to turn left. Pffttt!)

We are now in the parking lot – a HUGE parking lot. (They evidently don’t believe in a parking structure.) No parking spaces available. It is dark, and we have to try and avoid the people walking toward the casino. We drive around, and finally go back to the far rear of the back forty! Whew – found a space! Traipse on down to the casino (long walk, that!). Enter casino (where neither of us have ever been), and start looking for the showroom. We decide asking is the best policy, and are told to “walk straight back”. We walk straight back – into the next county, I swear! From the outside the casino does not look that big! Then we walk back some more.

Okay, there’s security. Good – they are letting people into the showroom. Up the escalator. I don’t know what the room capacity is, but it is a big room. Lots of security, and lots of casino personnel to help us find our seats.  Ticket Master lied – our seats are not on the right hand side of the stage (to my relief, actually!),  but they are also not the end seats. No matter – the lovely people in the end seats stand up graciously, and we slide in. (BTW – the casino representative that we asked to help us find our seats did not just point them out – she took us over there.)

Now we wait … and wait … and wait. One of the big screens on either side of the stage is dead, the other is promo’ing future events, and casino eating areas. Shadowy figure on the stage, checking equipment. Yes, we are getting close! Sister points out all the people coming in to be seated. Okay, we have to wait for them to find their seats. Chatting and watching the crowd. Interesting people everywhere. Couple in front of us and to our left needed to go get a room, according to my sister. I agreed. They started even before the show – and they were my age! ;-)

Lights going down – Yay! Casino announcer comes out. Announces that one of the big screens is dead (we knew that!), and apologized. Talked about coming attractions (Smokey Robinson is playing for Valentine’s Day!), then introduced the Commodores. We are under way!

The band (The Mean Machine) starts out, and the guys (William “WAK” King, Walter “Clyde” Orange and JD Nicholas) come onstage. Incredible show – smoke, lights, sound, the band is incredible, and the three guys just never stop moving! Walter begins things by having us all stand up, then he start talking about the situation in Haiti, and asked the audience to offer up prayers. I was so hoping they would acknowledge this tragedy, and they did so in the most gracious manner possible.

Walter had us turning and introducing ourselves to our neighbors, shaking hands, and all kinds of things. He ended this part of the show by suggesting that we turn to our neighbor, ask for their phone number, and then ask them out! ;-) He was kidding, of course (at least, I think so!).

The show never stopped, and so many of the really good oldies saw the light of day (Brick House – their signature song, Night Shift – a tribute to Marvin Gaye and Jackie Wilson, Easy, Machine Gun, Too Hot To Trot, and JD’s incredible rendition of “Three Times A Lady”). There was great interplay between Commodores and the band, Commodores amongst themselves, and Commodores and their audience.

Did we ever have fun! Standing a great deal of the time – dancing in place, clapping, singing, shouting (still have a sore throat) – in general being fairly rowdy for an “older” audience. (One lady brought her mother in a wheel chair.) I certainly plan to see these guys again!

We made it out of the showroom with only moderate difficulty. (Too many people, so little room!) Then the fun started – the casino was packed! I ended up falling down a couple of steps – my bad, the steps were too wide for me to take as regular steps. Sister smarted off and said she didn’t dare get me drunk if I was falling down when I was sober! ;-)

We had a hard time finding machines to play – this was, after all, Saturday night at the casino! ;-) (My sister had been on some Internet forums, seeing what people had to say about the different slot games.) We finally decided to play what looked like some form of poker. We weren’t sure if we had to get a ticket, or if the machine took cash. I asked the gentleman two seats down from me how the machines worked, not realizing that he spoke very little English. Fortunately, another gentleman was passing behind us, and he explained the process. Many thanks, Sir!

Turns out you can’t make choices, you just hit the go button and hope! It was one of those machines where you can play from one to a gazillion coins. We did have fun (in spite of the smoke) – my sister won $30, I lost $20. Not bad for a nights entertainment!

Wandered through the casino, back into the county that we had entered through, and managed to choose a door other the one we came in through.  We decided on a direction, and headed out. Felt like the Bonner party crossing the mountains! Dark parking lot, no signs, nothing! We finally find the car, and make our way out (no signs for that either – process of elimination!).

Get home and crash for the night. (After playing with the cats, of course!) I wake up at 4 am, finally get up at 5:30 am. Jaxson (my sister’s male cat) helps me read the Tarot (just like he had done the night before) while we wait for my sister to get up.

Great breakfast – rice cake with almond butter, and cut up fruit with cinnamon. Have decided to add that to my (non-existent) culinary repertoire! Off to go shopping! We visited Ikea (I had never been there – is that place ever big!), where we again parked in the back forty. Then we moved on to Trader Joe’s (better parking), and The World Market (I think that was the name, anyway). Kind of like Trader Joe’s, and we got to park right in front! I ended up with  a package of 100 tea lights and some chocolate covered almonds. Great almonds, but for some reason they taste salty. Am eating them anyway! ;-)

Now we are off to a really great Mexican restaurant, where my sister has a veggie platter and I have a chicken chimichanga platter.

What a wonderful weekend! Still floating from the concert! ;-) Many thanks to my sister, the Commodores, and the thrill of shopping!

© January 2010 Bonnie Cehovet

Published in: on January 18, 2010 at 4:11 pm  Comments (2)  
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Capricorn New Moon Ritual/Journey

I like to use both the Full Moon and the New Moon for ritual and journey purposes. I use them both in very much the same way – to work on whatever I am working on, rather than limiting the New Moon to beginning endeavors and the Full Moon to bringing things to a close and/or releasing them.

January is the first month of my personal year, as well as the first month of the calendar year. This is a number eight personal year for me, over which I note the energy of the Empress, as 2010 carries the energy of the Empress, and her attention to detail and nurturing skills.

My chart carries five planets in Capricorn – including my Sun and Moon. So a Capricorn moon is a special time for me. I went into the evening thinking that I would do ritual and then journey at 11 pm. (I prefer to do this between 11 pm and MN.) For personal reasons, I never felt the time was right until 3 am – and then things went swimmingly well!

I ended up placing 11 Tarot cards around my alter (which I had not planned to do), and used all four elemental incenses (from Leisa ReFalo – tarotconnection.net). The deck that I used is one that I seldom read from, but that called to me – the “Margarete Peterson Tarot”.

My journey produced some interesting results – including a crying baby that I was told was my Inner Child, along with a way to heal that Inner Child (along the path that I am already on).

As for many people, this year will be one of immense change for me. The New Moon ritual and journey (I almost always do them together) was informative and healing at the same time. I was reassured that I was moving in the right direction … and to keep on moving!

© January 2010 Bonnie Cehovet

Published in: on January 16, 2010 at 9:41 pm  Leave a Comment  
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Donations To Haiti

TABI, our good frineds in the UK, have set up an account with justgiving.com to take donations for Haiti. Please help to the extent that you can – Haiti needs our prayers, our healing thoughts, and funds to rebuild. Thank you for your time in visiting my blog, and for your assistance. http://www.justgiving.com/Tarot-Association-of-The-British-Isles

(c) January 2010 Bonnie Cehovet

Published in: on January 14, 2010 at 11:08 am  Leave a Comment  
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The Tarot – A Short Treatise on Reading Cards

I was going through a box of Tarot material that a friend sent me some time ago, and came across S. L. MacGregor Mathers “The Tarot – A Short Treatise on Reading Cards”. Published in 1993 by Samuel Weiser, Inc., it is a revised and updated edition of Mather’s original Treatise of the same name.

I love little books like this! The first thing that I noted is that yes, it is readable. Not a lot of arcane words/phrasing. He discusses Tarot history, the meaning of the Tarot, the derivation of the word Tarot, and charts the correspondences between Italian, French and English suit names, and the suits for a deck of playing cards (Diamonds, Hearts, Spades and Clubs).

He also includes little tidbits, such as the Kings wearing a cap-of-maintenance under their crowns, while the Queens wear the crown only. (The deck type referenced in this book is the Marseille Tarot.)

In presenting the cards, Mathers describes the imagery and presents a word or phrase that represents the quality of the card. For example, the Magician is represented by Will, while the High Priestess is represented by Science, Wisdom, or Knowledge. In a separate section both upright and reversed meanings are given.

In a section entitled “Special Insights”, Mathers shares additional remarks, primarily taken from the work of Etteilla. For example: ”25. Knave of Sceptres – Reversed – Notice between what cards the news falls, which will show whence it comes, and of what nature it is.”

At the end of the book Mathers presents three spreads for reading the cards, as well as an explanation for playing hte game of Tarot (Tarocchi). There are also short notes on occult and Qabalistic symbolism.

Quite the interesting little book!

© January 2010 Bonnie Cehovet

Dame Fortune’s Wheel Tarot

Dame Fortune’s Wheel Tarot

Author: Paul Huson

Artist: Paul Huson

Lo Scarabeo

2007 Paul Huson

2008 Lo Scarabeo

ISBN #978-07387-15292

I have long been an admirer of Paul Huson’s work (including “Mystical Origins of the Tarot” and “The Devil’s Picturebook”). I am late to this deck, which is certainly a nudge to me to pay better attention to what is out there! I love everything about this deck, including the intriguingly done Significator card (and I do not read with Significators!).

This is a traditional 78 card deck, using the traditional meanings for the Minor Arcana that were developed by Etteilla and his School. The imagery for the Major Arcana was inspired by designs from the Marseilles and Estense decks. There is a LWB (Little White Book) that comes with the deck, with a more detailed text on the Lo Scarabeo site explaining both the sources of the images and a more comprehensive listing of Etteilla’s interpretations (www.loscarabeo.com/files/New_DFWT_online_LWB_rtf )

The Major Arcana titles are traditional, with the following exceptions: the Magician becomes the Juggler, the High Priestess becomes the Female Pope, the Lovers becomes Love, and Strength becomes Fortitude. The suits are Batons, Cups, Swords, and Coins.

The LWB begins with a short history of the Tarot, commenting on the allegorical quality of the imagery and the part that Parisian cartomancer Jean-Baptiste Alliette (also known as Etteilla) played in the development of the Tarot as a divinatory tool. (Atteilla and his students developed what would become the European “canonical” interpretation of the suit cards.)

Huson notes that the images in this deck represent matters of spiritual significance, archetypal forces that are at work in the world as well as in the personality of the Seeker. The Pips (numbered cards) evoke the interpretations of Etteilla with imagery to match that of the trumps, drawn from medieval and Renaissance sources. The Court cards blend traditional Tarot court designs with the French playing card pattern known as the standard pattern of Paris.

There is a section on reading the cards, with the option of choosing a significator from the Major Arcana (in his expanded notes on Lo Scarabeo, Huson also includes the Court cards as possible significators), looking for a quality similar to that of the subject of the inquiry. Interpreting the cards is something that Huson indicates is largely up to the intuition of the reader. From the LWB:

“The cards are basically pegs on which to hang your intuitions regarding the consultant or the matter being inquired about…. if you are new to Tarot, then simply look up the traditional meanings of each card that appears in your reading. These printed interpretations will act as scaffolding on which to build your intuitions as and when they develop…. Every word illustrates an aspect of the card; sometimes it’s simply a synonym or even a verb.”

Keywords are listed in the LWB for each of the cards. It is worth going to the Lo Scarabeo site for the download of extended interpretations.

Pro forma for Lo Scarabeo, the LWB has sections in English, Spanish, French, Italian and German.

While I may never use the significator, I love the card! Against a dark blue background we see a nude figure standing, arms held out from their sides, palms to the sky and outward. Yellow flowers surround this figure, with astrological symbols placed on the parts of the body that they rule.

The cards themselves are approximately 2 5/8” by 4 ¾”, on good quality card stock. The backs have a ¼” white border, followed by a 1/8” black border, followed by another thin white border. The background is dark blue, with eight pointed yellow stars and light blue imagery on it. The backs are reversible.

The card fronts show a ¼” white border. The Major Arcana show the Roman Numeral at the top of the card, with the name, in English, at the bottom. The Pips (numbered cards) show the number and suit, in text, at the bottom of the card. The Court cards show the title and suit across the bottom of the card, with the name of a historical figure somewhere along on edge.

The colors are very intense and basic – yellow, green, blue, orange, red and white. The art style is very reminiscent of the older decks, with a minimalist approach to the Minor Arcana. The cards are color coated by the color of the background: the Major Arcana background is a yellowish-green, the background for the Batons is light blue, the background for Cups is purple, the background for Swords is orange, and the background for Coins is green.

The Fool is unnumbered, the Magician has become the Juggler, while
Love is depicted as male and female figures, with a priest standing between them, and a winged cherub with bow draw above them. Fortitude (Strength) is depicted taking the top off of a pillar, rather than the traditional taming of a lion.

The Hanged Man hangs by one foot only, without the traditional crossed legs and with his hands wrapped in bags. As Christine Payne-Towler noted in her commentary on this deck, all four cardinal virtues (Justice, Fortitude, Temperance, and the World (Prudence) ) are depicted with multi-pointed halos.

Death, as in older decks, is numbered by not named. The Devil is also based on older imagery, showing bird feet, wings, and . The Star is shown as a male, rather than the traditional female figure. The Sun shows the Gemini twins (male), with the Sun above them almost appearing to be rolling his eyes!

The Court cards are fairly traditional – the Knaves are all standing, the Knights are all on horseback, the Kings and Queens all seated on thrones. One anomaly unique to this deck is that each Court card (except for the Knights) is named for a historical figure – i.e. the Knave of Batons is Hector, the Queen of Swords is Pallas, and the King of Coins is Alexander.

In his expanded text on Lo Scarabeo, Huson has also included a section on spreads: a three card spread, the traditional Celtic Cross spread, a horoscope spread, and a complex forty-two card layout.

Huson’s interpretations of the cards in the expanded section are well worth reading. He discusses the imagery on the cards, as well as its evolution. For example, he talks about the Fool appearing in Renaissance woodcuts as the child of, and ruled by, the Moon. He also talks about the Fool in medieval German drama, where he was known as the “Narr”, an idiot who frequently used his own obtuseness to his own advantage.

I see this deck as a gateway into the past, a peek at how Tarot got to where it is today, and a revised look at the work of Etteilla. I see it as a must have for all Tarot libraries, and feel that it could be used by Tarotists of all levels.

Note: The link to the Lo Scarabeo expanded interpretations is www.loscarabeo.com/files/NEW_DFWT_onlne_LWB.rtf.

© January 2010 Bonnie Cehovet

Published in: on January 9, 2010 at 1:57 am  Leave a Comment  
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Tarot Newsletters

I was being productive yesterday, and getting things that I had printed out filed. I never stop to think about the wonderful selection of newsletters that I receive – they are all well done, and filled with wisdom. To give thanks to the authors for sharing their wisdom in such a wonderful way, I am sharing my newsletter list with you Enjoy!

The Restored Temple of Hermes

Robert M. Place

http://thealchemicalegg.com/Main.html

robroseplac@aol.com

Tracker

Monthly Newsletter From TABI

http://www.tabi.org.uk/page.php?page=newsletter

WINGS

Beth Owl’s Daughter

http://www.owlsdaughter.com

The Flying Squirrel

Daughters of Divination

batqueen@dodivination.com

Thalassa

Association For Tarot Studies

Jean-Michel David

http://association.tarotstudies.org

© January 2010 Bonnie Cehovet

Published in: on January 4, 2010 at 10:56 am  Comments (1)  
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Fantastical Creatures Tarot

The Fantastical Creatures Tarot

Author: D.J. Conway

Artist: Lisa Hunt

U.S. Games Systems, Inc.

2007

”The Fantastical Creatures Tarot” was a Top Ten Deck for its year of publication (2007) – for good reason! This is a magickal deck – a portal into other worlds. The basis for this deck is the theme of mythical/fantasy beings, and the myth and lore surrounding them. From the “Fantastical Creatures Tarot” site:

“ Mythical beings have been around as long as there have been humans inhabiting the Earth. Stories of their magical and spiritual powers have existed for thousands of years. The images of some of these fabulous entities were placed in temples, sacred places, and, in miniature, on home altars, where they were expected to act as protectors, guides and spiritual counselors. ~ D.J. Conway”

In the introduction to the LWB (Little White Book) it is noted that images of these mythical beings were placed in temples, sacred places, and on home alters in order to seek guidance, protection, and spiritual counsel. They are referred to as a kind of “middleman of the astral realms”. It is also noted that mankind has fallen away from connecting with these entities, and that now is a good time to reconnect with them.

The deck follows the traditional 78 card structure. The Major Arcana titles remain the same, with the following exceptions: Hierophant/High Priest, and Chains/Devil. Strength is VIII, Justice is XI. The suits are Wands, Cups, Swords and Pentacles. The Court cards are entitled Page, Knight, Queen and King. Note: In this deck, Swords are associated with Fire, while Wands are associated with Air.

The LWB is text only (no scans), providing information on the mythological background and magical powers for each creature, as well as the divinatory meaning and magickal purpose. From the book:

“IX The Hermit (Old Lady of the Elder)

Described as an elderly, wrinkled woman, the Old Lady of the Elder is usually seen during a full moon as she hobbles about, balancing herself with a staff made from a gnarled elder branch. She is considered to be very wise in healing and magick. The Old Lady of the Elder is a solitary creature, using the silent, reflective time to spiritually strengthen herself. She quietly shares her knowledge with those open to her gentle teachings.

Divinatory Meaning: This card suggests that the inquirer needs a time of peace and quiet to contemplate decisions. Don’t make hasty choices, but ask advice of a knowledgeable person you trust. If poor health is involved, the Hermit points to a period of much needed rest and recuperation.

Magickal Use: The Hermit card can be used in a spell to add patience when searching for the knowledge to make a correct decision. It is also good to include in healing spells.”

There is a discussion at the end of the book on how to best use the deck. Some of the suggestions are to choose a card symbolizes the energy that you need to manifest a desire, and to place it in your sacred working space when doing magick. You can choose a card and meditate on its personal meaning (its meaning for you), or you can choose to draw a card a day as a symbol for that day. The cards can also be used for divinatory purposes.

This is a 78 card deck, with two additional cards – Quick Reference Guides to the Major and Minor Arcana.

The card box opens from the top, with an image of Strength on the front panel, and an image of the Star on the back panel. The cards are of good quality card stock, 2 ¾” by 4 ¾”. The backs are cream colored, with a central circular motif, leaving the backs reversible. The face of the cards has a ¼” cream border, surrounding an inner border that resembles intertwined twigs. For the Major Arcana, the card number is at the top, in Roman numerals, and the card title across the bottom. The Pips (numbered cards) show the number (in text) and the suit across the bottom of the card. The Court cards show the card title and suit across the bottom of the card.

The artwork is done in a gentle, very detailed fantasy style, using watercolors. There is a mystical, other-worldly feeling to this deck that just draws you in! I was incredibly excited to get this deck –it was a from me/to me Christmas present, and came wrapped so beautifully that I left it unopened on my credenza until Christmas morning (we open our gifts on Christmas Eve – but I wanted to make opening this one special, and it was!).

Lisa’s art is so good, on so many levels – it is hard to know where to begin! One of my favorite things are the winged creatures (and human figures) – the High Priestess as a winged serpent, the Emperor as a winged horse, the winged lion on the Sun, the winged Centaurs on the Chariot, the winged female figure in the Star, the winged figure on the Four of Wands, the winged Queen of Wands, the winged Knight of Wands, the winged Nine of Wands, the winged Page of Pentacles, and the winged High Priest.

Other noteworthy cards are the Eight of Wands (showing Odin’s great horse running full out), the Ace of Swords (showing Thor’s goats), the King of Pentacles (showing the Lord of the Greenworld), The Empress (Morigan), the Queen of Pentacles (Danu), the Magician (Winged Cat – with front paws firmly on his wand!), the Page of Swords (Werewolf), and Strength (Oriental Dragon).

The detail in this deck is very well done – each time you study a card you see something new and different! I feel that this deck would appeal to those with a basic understanding of Tarot who wanted to work with a fantasy theme, those who are attracted to fantasy themes/artwork, or those who wanted a gentle alternative/comparative deck. This is a wonderful deck for ritual, meditation or journeying.

© January 2010 Bonnie Cehovet

Published in: on January 2, 2010 at 12:53 am  Leave a Comment  
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