Healing Houses

Healing Houses –

My Work As A Psychic House Cleaner

Author: Sheldon Norberg

North Mountain Publishing

2010

ISBN #978-09676231-6-0

In case you expect this book to be “Ghost Hunters Revisited” – it isn’t! Tune in on that little word “healing” – there you have the backbone of this book, and Sheldon Norberg’s work. Norberg trained at the Academy of Intuition Medicine for his Master of Intuition Medicine degree, a BA in Psycho-Spiritual Healing (a program of his own design) from San Francisco State University, has studied Chinese Medicine and Taoist energy practices, and is a Certified Hypnotherapist. In other words – he brings a lot to the table, as far as energy work goes!

I am going to begin this review by quoting Norberg’s dedication to this book, because it says it all:

“This book is dedicated to My Clients, without whose willingness

to confront the irrational, none of this could have happened.”

 Throughout the book Norberg retains a very humble attitude about his work – recognizing his skills and abilities, but also acknowledging that he realizes that most people, including himself, find them, and his work, a bit strange. Having worked in the Tarot world for many years, I understand the “glazed eyes” look coming over people when you talk about your professions (or even answer the very simple question: “What do you do for a living?”) It takes guts to continue to believe in yourself, and to continue to do the work.

In his preface Norberg talks about houses that simply don’t “feel right”. We have all visited houses like this – perhaps even had the misfortune to live in them. It has to do with much more than ghost activity – it goes to the core of the house, and sometime the land that it is built on. Norberg notes that his clients are high-functioning, serious minded people, and that they come from all walks of life. What they have in common is issues within the homes they ae living in – and the courage to address those issues.

In this book, Norberg’s stated purpose is to verify and clarify the reality of the energetic situations that we can find ourselves living in. In no way is it meant to be a “How To” manual for clearing and healing your house. What it will do is give you a better understanding of your house, and what may be going on with it.

One of the primary principles in this work is that energy follows thought. We are constantly receiving and transmitting energy signals, through our thoughts, emotions and actions. This energy can be trapped and held in the environment around us. When an energy pattern is not functioning well, we look to see where it has been compromised. One of the things that impressed me about Norberg’s work was that he asks his clients to fill out a form that gives him information about the house, the land that it is one, each person living there, and how they interact with each other. Ghost activity is the least of negative things that can be going on within a house!

We should know our own home, and we should trust our intuition about anything that may be going on. We need to allow ourselves to access our emotions, accept them, and see how they are affecting out environment. Norberg talks about grounding aura chakra’s, clearing space, and developing the tool of dreamtime. He talks about dreams that his clients have experienced that are really not their dreams, they are emotions left over from previous occupants of the house.

Norberg talks about energy signatures, and the house as an energy structure. This is another primary principle of his work, because the house needs to be grounded energetically. We really need to think about this – especially with houses where additions have been made.

Did you realize that we make contracts with the houses that we live in? The way Norberg explains it, we do. The more occupants a house has gone through, the more contracts there will be. If a contract with a specific individual/family is strong enough, it may over-ride the contract (or needs0 of the next family moving in. The house will do all that it can to fulfill the stronger contract – even though the individual/family no longer lives there.

In Norberg’s work he follows the history of the house, the land that it is on, and sometimes interactions with neighbors. All of this leaves an energy imprint on the house. He grounds the house, clears out residual energy, replaces it with positive energy, and generally does everything that he can to bring the house into alignment with itself, with the individual/family inhabiting it, and with the surrounding environment.

It is fascinating to read stories about the different houses that he has cleared, and their back-story. In one home a major issue was a tremendous tree in the back yard. It was a beautiful tree, but carried the energy of a young boy who had helped his father plant the tree, only to have his father die when he (the boy) was very young. The boy grew up, became responsible for his mother (who was house bound), and developed into an alcoholic. The tree was right outside his bedroom window, so as a young boy, and later as an alcoholic, unhappy man, the boy sent all of his emotions into the tree. It was amazing to read about this healing – which involved the house and the tree!

Psychic house healing is very serious work. I recommend anyone with an interest in energy healing in general, or in healing houses in particular, to read this book. You will walk away with a much clearer understanding of how we interface with our homes, and the contracts that we enter into with them.

 © August 2010 Bonnie Cehovet

Published in: on August 31, 2010 at 6:17 pm  Comments Off  
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The Nomadic Oracle

A Guide To The Nomadic Oracle

 Author: Jon Mallek

Illustrator: Jon Mallek

Ambient Studio, UK

2010

ISBN-10 145370521X

This strange book begins with a

disclaimer and ends with a blessing

 ~ the Nomadic Oracle ~

 a view from the edge of truth in search of a new reality

and an open connection to the Universe at play

(from the book)

 “A Guide To The Nomadic Oracle” is the fully illustrated companion book to the 5

6 card “Nomadic Oracle” deck. Both deck and book transport the reader into intriguing new realities. The book is divided into three parts:

 Part 1 The Nomadic Oracle

Part 2 The Cards ~ Descriptions & Commentaries

  1. Family of the Emotions
  2. Realm of the Active Path
  3. Realm of Time
  4. Realm of Guidance
  5. Family of Protection
  6. Realm of Territories
  7. Realm of Abundance
  8. Family of Transition
  9. The Senses
  10. The Elements & Spirits
  11. The Infinite Self

Part 3 – Quick Stuff

Colour Mapping or Mapping Colour

Cosmology of the Nomadic Oracle

A 5-page Guide to the Cards

The first point that Mallek makes is that the oracle is independent of any traditional or religious beliefs, something that he feels is essential to its nomadic quality. The oracle does, however, draw on examples of ancient knowledge: the Tantras, I-Ching, Mayan-Toltec, Pagan and Amerindian traditions. Mallek views this oracle as an energy body, tuned through an understanding of our relationship with the universe. The oracle has an awareness of our five senses, as five different frequencies with which we maintain contact with our outer world. Each sense has a name: Fire (Smell), Water (Taste), Earth (Touch), Air (Sound) and Consciousness (Sight).

Planet Earth is also described as an energy body, with five separate zones: a superheated inner core, the oceans, the terrestrial surface, the atmosphere, and the subtle boundary with the edge of Space. Mallek places three cards together – Shakti, Grace and Shiva – to represent a cosmology. This map explains the cosmic alignment that we share with our planet, and how it binds us to it. Shakti represents female energy (anima), Shiva represents male energy (animus), while Grace represents a balance between order and chaos, and between all lesser dualities. Together, this represents the energy of one person, and that person’s connection to this planet.

From the book:

“Fifty-one of the fifty-six cards are arranged in a matrix, in groups of Families and Realms, which include both the senses and the elements. Each card represents one of five elements within it’s group. Together with the Elements and Spirits – Fire, Water, Earth, Air, Consciousness - and the Senses, there are eight other groups. This arrangement can help the oracle to show whether certain parts of a situation are ‘of your making’ or are being created by other people.”

The two Jesters are used to extend the language of a reading. Mallek refers to them as “not cards”, and they carry the thought of prefixes such as “un” (i.e. unclear), or “im” (i.e. immaterial). When a Jester is drawn, a second card is always placed next to it. This card is read as the “not” – i.e. Nourishment next to the Jester would read “not nourishment”, or a situation that is not nourishing.

When it comes to reading spreads, Mallek notes that spreads used with other oracles (such as the Tarot or Angel cards) may be used, but that they will only work to some extent. Using other strategies will allow the oracle to deliver higher levels of guidance in a range of frequencies, show direction and changes over time, and link itself temporarily to the user’s ongoing future life experience.

The basic spread is called a terrestrial reading. The first card shows the context within the question that the oracle will focus on. The second card represents the “here and now”, the present situation. The third car represents terrestrial, practical guidance. It may also represent the possible consequences of  an action that the user has in mind. The fourth card represents the energies inherent in a problem or issue. The fifth card represents an overview of the situation. The sixth card represents what you have been receiving, or may wish to receive about an issue. The seventh card represents creative opportunities – those the user may wish to create, or to create the conditions for. With the exception of the Jesters, each card has a relationship with one of the frequency zones, giving it either a natural or neutral place within the spread.

There is a very good section on interpreting spreads, as well as adding additional cards, if needed. The chakra system, Reiki energy, the shamanic wisdom of the Toltecs, Colour mapping – drawing the reading on a piece of paper, in colour, is also encouraged as a way to understand a reading.

There are what Mallek terms “special cards” in the deck. Portal and Drum act as threshold cards. The compass card, Perspective, literally speaks of looking at things with a fresh perspective.

Instructions are given for what Mallek terms a “vectored” spread – a spread with both speed and direction. The interesting thing about this spread is that you do it at one point in time, go about your daily life, leaving the spread in place, then go back to it at the end of the day, adding extra cards to whatever areas of the reading seemed to have been active during the day.

Mallek indicates that there are many ways that the cards can be used , including a single card for guidance, or multiple readings for the same question, focusing on the context of each spread.

Part 2 presents descriptions and commentaries on the cards. Each Family is listed, with the cards within the Family (i.e. The Family of the Emotions – Debt & Domination* Snowbird*Judgement*PrivateParty*InnerChild. This is followed by commentary on the Family in general, then the individual cards within the Family. Each card description includes a very large, full color image of the card in question. The imagery is very well done, and very thought provoking.

From the card Judgement: “Those of us who need to explore our own freedom certainly have a tough time dealing with the projections of others. However, it is also obvious that living without forming some sort of estimation of the people we are in contact with would be naive, unrealistic and potentially hazardous. This need not be a matter of judgement but of awareness, the province of different card in the oracle – Discernment, the Sense of Taste.”

From Kundalini: “The Kundalini is a fire card representing your essence, your undiluted lifeforce. It may be highly reactive. Wherever it is placed in a spread, it suggests the need to focus all of one’s energies at that point and carries the additional meaning of trusting implicitly one’s ability to act instinctively and even ruthlessly.”

From Realm of Time: “…Time is relative, interrelated with gravity and therefore with matter, also with speed but not with acceleration. As with life, nobody knows exactly what it is. All we can do is describe what it does. In ordinary ways of thinking, cause always comes before effect in a logical progression. For those people who have become aware of the play of synchronicity or have received premonitions of future events, even this may no longer be stated with any certainty. This is also true of any idea of the present.An infinitesimally small non-moment in time between the past and the future? No one really knows. Some of us have experienced the here and now seemingly stretch but why this may be the case is beyond speculation.”

From Intruder: “Related to our emotional and intellectual energy body, the water card in the Family of Protection is called Intruder. It is a card which may make a range of different suggestions depending on the situation and will often point to a duality which may be read equally in the positive or in the other. In one sense, Intrusion may be about mental interference or static, the source of which may come from inside the self or from other people in your life, but which is the work of the ego, that thin shell of self-image-defence we all have and all share. The ego can make any of us shy or extrovert.”

Part 3 is a guide to colour mapping, along with a section on the cards, in alphabetical order. From the book:

Abundance (p. 93) – consciousness card in the Realm of Abundance

Great good fortune. Sufficiency without unwanted surplus. May refer to wealth, friendship,clarity or love depending on the situation or the question. Receiving the generosity, love orcommitment of others. Self-sufficiency, freedom – the bountiful assistance of the universe.

Air (p. 125) – the Elements and Spirits of Air – companion to Ethereal Voices

Incoming communication. The power of speech and words. Psychic whispers and silentknowledge which cannot be immediately brought into the mind.

Cauldron (p. 87) – earth card in the Realm of Abundance – twinned with the Forest

The workings of nature and mother earth whether human-friendly or dangerously toxic. Theprocess of the evolution of the self. May suggest strategies of inaccessibility or unpredictability.

Circle of Silence (p. 79) – air card in the Realm of Territories

Head space. Secrecy, privacy, a closed or private territory. By implication this card may onoccasion refer to a ‘conspiracy of silence’.

Consciousness (p. 83) – the Elements and Spirits”

I found the companion book to be interesting and easy to follow. The system presented with these cards is outside the realm of any existing decks that I know of, so there is really nothing to compare it to. If we suspend our belief for a moment, and work with the cards, new worlds of wisdom will open up for us. One note: There is full nudity, so one would have to be mindful of which clients to use this system with.

The cards may be ordered by visiting www.thenomadicoracle.com, or you may download a file of pack designs free of charge. The companion book can also be ordered from the site. Or please send an email to info@thenomadicoracle.com for information.

© August 2010 Bonnie Cehovet

Published in: on August 30, 2010 at 7:40 pm  Comments Off  

Tarot Today – Bibliography

Tarot Today – Blog Talk Radio
8/31/10

How We Can Use The Tarot – Show Notes –
Bibliography

Affirmations:

Greer, Mary K. Tarot For Yourself – A Workbook For Personal Transformation, New Page Books. 2002.

Hill, Sally. Ph.D. Tarot Affirmations – For Positive Growth and Change. U.S. Games Systems Inc. 2001.

Ricklef, James. Tarot Affirmations, Knighthawk Books. 2009.

Journaling:

Greer, Mary K. Tarot For Yourself – A Workbook For Personal Transformation, New Page Books. 2002.

Kenner, Corrine. Tarot Journaling: Using The Celtic Cross To Unveil Your Hidden Story. Llewellyn Publications. 2006

Writing:

Kenner, Corrine. Tarot For Writers. Llewellyn Publications. 2009.

Journeying:

Gilbert, Toni, Rn, MA, HNC. With Mark Robert Waldman. Messages From The Archetypes – Using Tarot For Healing And  Spiritual    Growth, White Cloud Press. 2004.

Jette, Chritine. Tarot Shadow Work – Using the Dark Symbols to Heal, Llewellyn Publications, 2001.

Jodorowsky, Alejandro and Marianne Costa. The Way of Tarot – The Spiritual Teacher in the Cards, Destiny Books. 2004.

As Part Of Ritual:

Amaral, Geraldine & Cunningham, Nancy Brady. Tarot Celebrations – Honoring The Inner Voice. Samuel Weiser Inc. 1997.

Lammey, William C. Karmic Tarot – A Profound System For Finding and Following Your Life’s Path, New Page Books. 2002.

Working With Archetypes:

Gilbert, Toni, Rn, MA, HNC. With Mark Robert Waldman. Messages From The Archetypes – Using Tarot For Healing and

Spiritual Growth, White Cloud Press. 2004.

Gwain, Rose. Discovering Yourself Through The Tarot – A Jungian Guide To Archetypes & Personality. Destiny Books, 1994.

Hamaker-Zondag, Karen. Tarot As A Way Of Life – A Jungian Approach To The Tarot. Samuel Weiser, 1997.

Pollack, Rachel. Seventy-Eight Degrees of Wisdom – A Book of Tarot. Element, 1980, 1983, 1997.

Wanless, James. Ph.D. Voyager Tarot – Way of the Great Oracle. Merrill-West Publishing, 1989.

© August 2010 Bonnie Cehovet

Published in: on August 28, 2010 at 8:36 pm  Comments Off  

Tarot Today

Tarot Today – Blog Talk Radio
8/31/10

How We Can Use The Tarot – Show Notes:

Affirmations:

1. Coming from a reading.
2. Connected with specific issues.
3. As a daily practice.
4. Connected with a specific card, or set of cards.
5. Connected with ritual/ceremony.

Journaling:

1. Writing about specific cards, to get to know them.
2. Writing about the process of doing readings.
3. Creating spreads.
4. Making notes on readings.

Writing:

1. Using the Tarot to define the theme of a book/story.
2. Using the Tarot to define the characters in a book/story.
3. Using the Tarot to create conflict within a book/story.
4. Using the Tarot to move past writing blocks.
5. Writing to help resolve personal, inner conflict.

Journeying:

1. To get to know a card.
2. To obtain advice from a card.
3. To ask for help in resolving an inner issue.
4. Journeying to a specific place as part of ritual/ceremony.

As Part Of Ritual:

1. Connecting with or calling in specific Elemental energy.
2. Connecting with or calling in specific Archetypal energy.
3. Honoring a specific energy.
4. Requesting help from a specific Elemental or Archetypal energy.

Working With Archetypes:

1. Asking them to come into a reading.
2. Asking advice.
3. Working with Birth Cards.
4. Taking Archetypes into meditation.
5. Working with the Archetypes for healing purposes.

© August 2010 Bonnie Cehovet

Published in: on August 27, 2010 at 9:30 pm  Comments Off  
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The Nomadic Oracle

I was recently contacted by Jon Mallik, creator of the “Nomadic Oracle”. This is an absolutely stunning non-Tarot oracle, comprised of 56 cards and a fully illustrated book. Jon intends the companion book to act as a guide to the cards, but also as a series of commentaries that assist the reader/Seeker in understanding and interpreting the intention of this work.

Before I forget, Jon has created a very comprehensive (and delightfully visually appealing!) site at http://thenomadicoracle.com/the_Nomadic_Oracle/frontpage.html

Jon has placed his entire deck of cards on his site, so that they are available for all to download and use. What an amazing intention! From his site:

The oracle seeks to bring together the senses, the five elements and other more subtle energies by reference to both the aura and the basic chakra system. When opened it will bring clarity to the present and, if requested to do so, can offer extraordinarily profound and ongoing awareness of the future.”

 The site is broken down into : active path, elements, abundance, territories, protection, emotions, transition, time, spreads, infinite self, senses, guidance, and studio.

This is all well worth a few moments of your time! Stay tuned – I will be doing a review over the weekend!

 © August 2010 Bonnie Cehovet

Published in: on August 26, 2010 at 8:22 pm  Comments (4)  

Ed Peterson – Numerology

A big Thank You! To Donnaleigh Delarose of Beyond Worlds (Blog Talk Radio), and Ed  Peterson (author of “Numerology”), for sending me a copy of Ed’s incredible book! As he readily admits, it is a work in progress – but what a work!

I love Ed’s suggestion for working with this book – “So get something to write on and something to write with and do a sort of spiritual Sudoku with your birth data in order to find out what numerology can tell you.”

Using a system that Ed developed, the reader creates their very own personal profile. Some of the things that they will define are:

  1. What you are here to learn.
  2. Your North Node numbers.
  3. Who you are.
  4. How you appear to others.
  5. How you learn what you are here to learn.
  6. Your true character.
  7. Your primary challenge.
  8. Your salvation number.
  9. Your primary need.
  10. How you obtain your heart’s desire.
  11. What you must do/have to do.
  12. The type of person that you are attracted to.
  13. The most important thing you can do.
  14. Your core number.
  15. Your “best kept secret” number.
  16. Personal month, day and year.
  17. Personal hour.
  18. Shared life lesson.

Ed works with the numbers 1-100, associating the 78 cards of the Tarot with numbers 1-78. He is also working on associating astrological and archetypal correspondences with the numbers, and a system of reversed digits. This is all mind boggling, and great fun to work with!

More information can be found on Ed’s sites: http://www.learnthenumbers.com/, http://edpetersonnumerology.wordpress.com and on his blog, http://mynumerologist.wordpress.com.

Ed’s book can be purchased on Amazon.com – http://www.amazon.com/Numerology-Ed-Peterson/dp/1449908179/ref=sr_1_1?ie=UTF8&s=books&qid=1265858214&sr=8-1

© August 2010 Bonnie Cehovet

Published in: on August 21, 2010 at 7:25 pm  Leave a Comment  

The Tarot of Vampyres

The Tarot of the Vampyres

 Author: Ian Daniels

Illustrator: Ian Daniels

Llewellyn Worldwide

2010

ISBN #978-0-7387-1191-1

I don’t have a clue why, but things that have come to me lately in differing areas of my life all seem to be connected, in some way, to the UK. So it is with the “Tarot of the Vampyres” – author/illustrator Ian Daniels hails from the UK. Happy to say that all of the UK connections in my life seem to be working out extremely well, and this deck set is no exception!

Daniels set out to create a deck based on the Vampyre mythos, emphasizing the possession, exchange, and drawing in of different kinds of energy. He works within the traditional structure of the Rider-Waite Tarot, framing it against a Gothic background. His companion book, “Phantasmagoria”, is absolutely outstanding! I rate this deck set right up there with Robert M. Place’s “Vampire Tarot”, in quality of illustration, as well as research and presentation.

In his introduction, Daniels talks about the derivation of the title “Phantasmgoria”, coming from stage magician Etienne-Gaspard Robert’s “phantasmagoria”. Robert’s work had to do with a type of magic lantern show with silhouetted puppets acting out macabre drama. (Sends chills up your spine before you even get to the deck!) Shadows and apparitions would appear out of nowhere to scare the audience “literally out of their seats”!

Daniels goes on to talk about fear, and the Jungian concept of shadow. He feels that acknowledging our fears, and facing them, helps us to understand and overcome them.  Often these fears reside in the shadow, or dark side of human psychological nature. Daniels notes that shadow issues are not always negative in nature, that positive traits can also be repressed if they are unacceptable within a family or social milieu.

While the Vampyre myth is a tale of gothic horror and romance, Daniels feels that it also illustrates “an encounter with the higher self on a personal level, with the eternal promise of self-realization and the eventual curse turned joy”. He goes on to talk about the need for times of hibernation and stillness, so that we can regenerate and realign ourselves with the essence of Spirit that pervades all nature.

The Major Arcana follows traditional titles, with Justice at VIII and Strength at XI. The four suits are Scepters. Grails, Knives and Skulls. The Court Cards are Lords, Queens, Princes and Daughters.

Daniels relates the Major Arcana to the Tree of Life, and the pathways between the ten Sephiroth. In this manner, the cards act as the secret laws of creation, forces and cycles that express the natural development of life. They are the “binding and reflective laws of the energies they connect.”

He further divides the Major Arcana into three main types:

  1. Elemental Trumps – The Fool, The Hanged Man, Judgment These three cards are associated with the three mother letters of the Hebrew alphabet.
  2. Planetary Trumps – The Magician, The Priestess, The Empress, Fortune, The Tower, The Sun, The World These seven cards represent the double letters in the Hebrew alphabet.
  3. Zodiacal Trumps – The Emperor, The Hierophant, The Lovers, The Chariot, Justice, The Hermit, Strength, Death, Temperance, The Devil, The Star, The Moon These twelve cards are connected to the simple letters of the Hebrew alphabet.

The four suits are set up to represent a four-stage process:

The Seed – Fire – Scepters – Lords

The Womb – Water – Grails – Queens

Conception – Air – Knives – Princes

Birth – Earth – Skulls – Daughters

 The cards are presented as text only, the Major Arcana and Pips (numbered cards)  listing Alchemy, Kindred Spirits, Essence, Message, Analysis and Symbolism, and Shadow, with the Court Cards listing Alchemy, Kindred Spirits, Essence, Message and Quality, and Shadow.

In his section on card spreads and exercises, Daniels discusses the Shadow and Light aspects of the cards, along with the following spreads: Soothsayer, Dark Mirror, Blood Trail, Book of Shadows, Elemental Cross, Trespass, Forbidden Fruit, The Prophecy, and The Labyrinth. Exercises include The Manuscript (journaling), The Dreaming (taking the Tarot into dreamtime for inspiration), The Vision (working with the key card in a spread), The Shroud (working with a single card in meditation), and Darkspell (creating verses or poems for each card in a reading).

The cards themselves are 2 ¾” by 4 5/8”, of good quality, glossy card stock. The card back (reversible) shows a blood red rose, set against a black background and briar stems. Daniels associates the red rose with fertility, regeneration, energy and passion. The thorns represent suffering and sacrifice. In esoteric circles, the rose is also a sign of silence and secrecy. The red rose on a cross is a symbol connected with various Rosicrucian groups.

The card face is outlined with a ¼” black border. At the bottom of the card is listed the card title (for the Major Arcana), the number and suit (for the Pips), and the title and suit (for the Court Cards). The illustrations are dark and Gothic in nature, with recurring images of candles, skulls, crosses, red roses, snakes and the moon.

Note: My one issue with the imagery is that the figures in the deck all seem to be thirty-somethings. (The Hierophant and the Hermit are seen in shadow, and the Lords are seen on horseback, so one cannot tell their age.)

It is very hard to choose which cards to talk about with this deck – they are all intriguing! The Fool is shown emerging from a tomb, with arms thrown wide open. He holds a white rose in his right hand, the Holy Grail in his left hand. The Priestess is seated, wearing an all white dress. The full moon is behind her, an open book suspended in mid air over her lap. This is the Book of Tarot, upon which is to be written the Will of the Magician. A serpent bracelet encircles her upper right arm.

The Lovers shows a male and a female figure against a background of white roses (indicating pure devotion). The female wears a red heart necklace, representing the interchanging that the Emperor and Empress exchange. The male figure wears an inverted green heart necklace, representing the Empress. The red rose over the shoulder of the female figure represents passion, and the unification of fire and water.

Fortune shows a wheel with five roses over it, and five roses under it, their colors corresponding to the four elements, Spirit and Earth. Daniels reminds us to take note that the center of the wheel is static, while the three Vampyre creatures on the outside of the wheel are what keeps it in motion.

The Hanged Man is bound to a cross by the roots of the tree that have grown up around him, representing old beliefs and emotions. Another cross is visible in the background. Temperance shows a female figure in a dark dress, dancing as she works a ritual. She merges fire with water, creating a vapor that becomes a new power.

I found this to be a compelling deck, drawing you in by image and story. The companion book covers the esoteric side of the deck without frightening people away, and has a great deal to offer in the way of spreads and exercises. Being someone who appreciates charts, I tip my hat to Daniels for his concise presentation.

This deck would appeal to anyone with an interest in Vampyre mythos, Gothic art, or the esoteric side of the Tarot. With the use of the companion book, any level of Tarot student would be able to read with this deck. One word of caution – there is (albeit limited) nudity in this deck, which might limit its appeal, depending on the client’s acceptance of such.

© August 2010 Bonnie Cehovet

Published in: on August 19, 2010 at 1:13 pm  Leave a Comment  
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The Thoth Tarot

Thoth Tarot

Author: Aleister Crowley
Illustrator: Lady Frieda Harris
US Games Systems Inc.
1978, 1983, 2006
ISBN #978-0-88079-308-7

“The symbolism, traditional postures, attribution
of the cards, and the planetary, zodiacal, and elemental
colours have been given to me by an expert who has studied
the Tarot for forty years, and to whom my thanks are due
for his courteous co-operation.”
Lady Frieda Harris
July, 1942

I feel like I am light years behind in reviewing this deck, which, along with the Rider-Waite-Smith deck, is not only a popular deck, but a classic Tarot deck. Originally published in 1969, it has since come out in several different sizes and versions (including varied coloring). (Note: The deck was not published in the lifetimes of either Aleister Crowley or Lady Frieda Harris, aside from a limited edition of 200 copies that Lady Frieda Harris herself had printed.)

The deck that I am reviewing is the 2006 edition from US Games, Inc. It comes in a beautiful lavender colored box (as opposed to the cream colored version), and includes an 80 card deck (there are three versions of the Magus), a 20” by 17” spread sheet for the Celtic Cross spread, and a 48 page instruction booklet (LWB – Little White Book) by James Wasserman. The LWB was edited and updated by Lynn Araujo, and includes two essays written by Lady Frieda Harris, along with commentary by Stuart R. Kaplan.

The back of the sleeve that the box comes in shows images of the Hierophant and the Star, along with a short background on the deck. The back of he box that holds he deck contains concise biographies of Aleister Crowley and Lady Frieda Harris.

This is a controversial deck, to be sure – in large part because Crowley himself is such a controversial figure (by choice). The deck was begin in 1938, and completed in 1943. Traditional Tarot symbolism was revised along highly esoteric lines, based on Crowley’s own esoteric theories. (Note: Crowley was a member of the Hermetic Order of the Golden Dawn, as was Lady Frieda Harris.)

This deck is so heavily esoteric that it can be hard to understand. Crowley wrote a guidebook to the deck, entitled “The Book of Thoth”, which was illustrated with Frieda Harris’s images. Quite frankly, it is not an easy book to follow. (Crowley likes to hear himself talk.) Other books that may be a bit easier to understand are Lon Milo DuQuette’s “Understanding Aleister Crowley’s Thoth Tarot”, or Gerd Ziegler’s “Tarot: Mirror of the Soul”.

The LWB starts out with the background of the deck, followed by a section on the background of Tarot, connecting it strongly to the Kabbalah and the Tree of Life. The suggestion is made that the reader should give an invocation to higher forces before doing a reading (or, alternately, visioning a radiant white light purifying and exalting consciousness). The following is offered as a sample invocation”

“I invoke Thee, IAO, that Thou wilt send HRU, the great Angel that is set over the operation of this secret Wisdom, to lay his hand invisibly on these consecrated cards of art, that thereby we may obtain true knowledge of hidden things to the glory of thine ineffable Name. Amen.”

There is a fifteen card template (laid out in five groups of three) presented in the that acts as an alternative to the classic ten card Celtic Cross spread.

The card meanings are presented in brief form, text only (no scans). For example:

0 The Fool. In spiritual matters, represents ideas and thoughts, which endeavor to transcend earth. In material matters, reveals folly, eccentricity, even mania. It represents a sudden, unexpected impulse.

Knight of Cups. The fiery part of water. A man with commitment issues. Amiable but passive. Attracted to excitement. Unsustainable enthusiasm. Sensitive but shallow. Influenced: Sensual and idle, untruthful, prone to depression and drug abuse.

Note: In the Thoth Tarot the Knight takes the place of the King.

Two of Swords. Peace. Dual nature. Sacrifice and trouble giving birth to strength. Conflict leading to peace. Pleasure after pain. Truth and untruth. Indecision. Ambivalence.

Stuart Kaplan provides a very nice introduction to the essays, indicating that the first essay, “Exhibition of Playing Cards – The Tarot (Book of Thoth), 78 Paintings”, was probably edited by Lady Frieda Harris from Crowley’s writings, while the second essay, “Exhibition of 78 Paintings of the Tarot Cards”, written for an art exhibition at Berkeley Galleries, was written by Lady Frieda Harris.

Traditional titles are used for the Trumps (Major Arcana), with the following exceptions: Magus (Magician), Adjustment (Justice), Fortune (The Wheel of Fortune), Lust (Strength), Art (Temperance), and Aeon (Judgment). The four suits are Wands, Cups, Swords, and Disks. The Court Cards are Knight, Queen, Prince and Princess.

The artwork itself shows the influence of both art deco and projective geometry (through the work of Rudolf Steiner). Instead of the usual straight or curved lines, when we look at the Thoth deck we see arcs, sworls, and geometric forms overlaid in a stunning pattern, made more so through the use of color. It is like stepping into another dimension to look at this deck, much less to read with it.

The card that departs the most from traditional imagery is that of Aeon. In place of the trumpeting Angel we see stylized figures of the deities from the Stele of Revealing and “The Book of the Law”.

Thoth Tarot Back

The cards themselves are 2 7/8” by 4 3/8”, of good quality card stock. The card backs image on the card backs is that of the Rose Cross, surrounded by a white border. This is Lady Frieda Harris’s interpretation of the Hermetic Rose Cross. Within this cross is represented all 78 cards of the Tarot.

The card faces show a narrow white outer border, followed by a gray inner border. For the Major Arcana, the Roman numeral is centered at the top of the card, with the card title, astrological glyph and Hebrew letter, at the bottom. (Note: I have one small gripe here: the titles are in black letter, with light gray lettering behind them reading Trumps (for the Major Arcana), and the suit name for the Minor Arcana. It is a bit annoying.) For the Pips (numbered cards), the number in Arabic numerals is at the top of the card, with the esoteric title at the bottom of the card. For the Court cards, title and suit is placed at the bottom of the card.

The Fool for me is quite a startling card – in place of a rather ephemeral being, we see quite a strong individual, arms raised, bearing a sphere containing Illusion in his left hand, a staff in his right hand, over his right shoulder. At his feet are a lion and a dragon.

The Two of Cups (esoteric title Love), is beautifully portrayed by two fountains of water (silver on the left, gold on the right).

Note: The Pips are not illustrated as such – they closely follow the Marseille tradition of using icons only with a few additions.

The Three of Wands (esoteric title Virtue) shows three gold wands crossed in the center of the card, against a bright orange background.

The Four of Swords (esoteric title Truce) shows four swords in the center of the card, tips pointed towards the center) against an emerald green background, with a lavender rose with white rays.

The Ace of Disks is a geometric wonder! Incorporated into this card are five concentric circles, with a yellow circle in the center. In the center of the circle we see both a hexagram and a pentagram.

For those students interested in the Golden Dawn, or in esoteric imagery, this is a wonderful deck to study. For those wishing to simply collect the deck, or use it for journeying or guided imagery, this is also an excellent deck. I would highly recommend purchasing DuQuette’s book along with the deck (rather than, or in addition to, Crowley’s own “Book of Thoth”), because it is much easier to follow!

© August 2010 Bonnie Cehovet

Published in: on August 14, 2010 at 9:54 pm  Leave a Comment  
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Friday the 13th

Friday the 13th – okay, generally this day brings on at least a little uneasiness and angst. The number 13 itself is considered to be an unlucky number by most people. This is a day filled with superstition, and a day when many people just seclude themselves in their homes for the duration.

Let’s take a bit of a lighthearted look at Friday the 13th through the eyes of the Tarot. (And you don’t even have to leave home to do this!)

1. What is my emotional reaction to Friday the 13th?
2. What is my intellectual reaction to Friday the 13th?
3. How can I reconcile these two reactions (i.e. mind over heart)?

The cards drawn, From Zach Wong’s “Revelations Tarot”, were: Strength, the Eight of Cups and the Ten of Cups.

My emotional reaction is to take a deep breath, roll up my sleeves, smile, and act from my heart. There is nothing that will happen on this day that cannot be dealt with in any way other than with love and compassion. I have the inner strength to face this day – to face life.

Intellectually, I walk away from the troubles that this day can bring. I set aside the superstitions (and the emotions connected with them) and walk away.

To reconcile the conscious inner journey that is Strength, with my need to walk away from what is, I look for the innocence and joy inherent in this day merely as another day.

© August 2010 Bonnie Cehovet

Published in: on August 13, 2010 at 12:39 pm  Comments Off  
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